I’ve been busy in the studio. And the Kiln tech has been catching up with all the pieces coming and going through the bisque and glaze kilns. So lets get right to it!
This is a little coccolith I made in white stoneware. I glazed it with Super T with Gold Shino on the background. It turned out better than I had expected. The Shino tends to bubble if other glazes are placed on top of it so I had to be very careful when applying the Super T. I’m calling it a rousing success! This one is a little painful to hold as it is very sharp!

This orb was an experiment using a stamp set that I got at Christmas. The little daisy pattern stamp was used in hope that spring was really on the way! I used Gold Shino on the background and then Semi-Matte Blue on the discs. I was not as satisfied with the way it turned out but that is mostly my own fault. I was worried that the blue glaze was going to be too thick to be able to see the daisy detail – so I removed some of it. That resulted in the blue looking very pale. It is still lovely but it doesn’t match the picture in my head…

I decided to redo a previous orb that I had gifted to a former Xangan. I decided to use a glaze called Tomato. This glaze is a rusty red with a slight iridescence when it it applied thickly. I was crushed when the kiln tech said that there was some damage on one side – due to someone picking it up and then setting it down a little hard. Because of the many sharp points on this piece, it is not suitable for an area with small children…

This orb is a miniature of one I made about 20 years ago. The original is about the size of a soccer ball but this one is only the size of an orange. I glazed it in Mamo Yellow over a mixed clay body (white stoneware and porcelain). The glaze turns out a semi-matte yellow when it is thinly applied but is a nice green where it pools thicker. I call this one Puberty Revisited.

This next one is a coccolith, Syracosphaera exigua. I’ve replicated this one multiple times but with a variety of glazes. This time I tried out the reformulated Grape glaze with Shaner Gold on the “runes”. I think its lovely.

I attempted another coccolith, Scyphosphaera apsteinii, one of the coccoliths found in the Pacific Ocean near Hawaii. The clay body is white stoneware. I glazed the interior with Super T and used Phil’s Celadon on the outside. I am very happy with the contrast of glaze colors.

This is another coccolith, Hymenomonas globosa. This one is a white stoneware clay body glazed in Wood’s Blue. I’ve had trouble getting this glaze to work on my pieces but took a chance. You can see the really lovely blue in the areas where it pooled. My classmates all applauded the glaze on this one! I like it too!

Last but not least is an experimental piece that I worked on. I cut a multitude of little triangles in various sizes and wrapped them around my pin tool. The triangles initially looked like tightly wound rosettes. After trying out a few different techniques I ended up with more conical forms attached to the hollow form at the pointed end. It was suggested that I attempt Evan’s Red glaze ( but decided not to because it rarely comes out red and instead is a murky grey). I went with Atomic Purple (looks a light lavender) which I applied very thin in hopes that it didn’t overwhelm the texture. Success!
